A young woman, part of the US Job Corps training program, overlooks the Columbia Bar.
Journalist guests of the National Gallery in DC stand looking to the left, with a monumental painting of the Fitch siblings by John Singleton Copley.
A Native American woman at a party poses for a photo with a Native American Elvis Presley impersonator.
A young white man with facial hair and a gay pride necklace stands beside a buck of pride flags in front of an office building decorated with a large photo of protesting flight attendants.
A group of emotion-filled white women dressed for church stand before pews where other women raise their hands in praise.
Two African American men are seen on the front porch of a small, yellow, tin-roofed house by a road. One is dressed for the day, the other wears a bathrobe.
Five women wearing medals and sashes from patriotic organizations stand outdoors in the sun before folding chairs reciting the Pledge of Allegiance; in the background woman says the pledge in a Che Guevara shirt.
Two white couples in their early 20s stand in the evening light on a bluff overlooking a road and campground.
An older white man with long gray hair and a long gray beard shows off an antique rifle while standing before a wall covered with sculptures and images of people.
An African American man in casual clothes cradling his sleepy son sits in an easy chair before a mural of polar bear.
A woman with high-piled hair in a modest, teal suit stands with a red-headed boy in a red shirt in front of a brick wall with a church window.
A youA young white woman with long brown hair with bangs, a stripper backstage, regards the camera and clutches to her bare chest a black bag printed with the face of Elvis Presley.
A middle-aged Native American woman sits on a lawn looking toward the son, as her son and the family dog loll next to her. In the background is a camper, willow trees, and distant brown hills.
And older white woman looks at the camera as she sits at a desk with a U.S. flag and a snowman mug in foreground, in front of a certificate strewn wall also showing portraits of Army men.
A young, fit, unshaven man in a preppy shirt stands before marble steps and columns as he delightedly stares skyward in eclipse glasses.
A young man of color is seen against a blue sky, with the bunting strewn backside of bleachers and a large American flag on the left and green trees at right; his black T-shirt says FAMOUS in a patriotic font.

America By Another Name:

Photos and Stories of the Road and a History that United Us

Equality & Diversity

  • The photographs and writings in my proposed book renew the reader’s understanding of the promises of equality embedded in the increasingly endangered foundational documents of the United States.

  • The reader encounters diverse social classes, religions, gender and sexual identities, and races and ethnicities.

  • My book’s organizing principle is Columbia, a once beloved and now contested patriotic symbol.

The Road & More

  • The reader joins me on my travels—from Maine to Hawaii, from Alaska to Florida—over some 160,000 miles in a DIY camper van and photographing in over 65 places named Columbia.

  • Captions and short essays tell stories of the road, and Columbia-related histories portray the good and the bad of our development (even as perpetrated by my direct ancestors). 

  • These elements combine into an evocative—and necessary—counterforce to divisive social currents.

Columbia=United States

  • Poets, orators, and songwriters forged Columbia into our nation’s poetic nickname and a symbol for the ideals of liberty, union, and progress.

  • The nation’s own liberty goddess, named Lady Columbia, was created in 1775 by African American poet Phillis Wheatley, and “Hail, Columbia” was the Federal Government’s go-to national anthem.

  • Columbia is a perfect metaphor for the nation itself: It’s steeped in idealism while also freighted by its roots in Christopher Columbus and European empire building.

See here—take a journey.